Snowshoe Moon

The moon was too gorgeous to be denied. We went out to greet it on a frozen lake.

We snowshoed past this cozy cabin with a little Christmas tree in the middle window. You can almost see the tree in in this night-blurry photo. Silent night. Inspiring night….

Revisiting My Horse Mania

An Ojibwe horse makes friends with a girl at Dawson Trail Campground in Quetico Provincial Park, Canada.

When I was a girl, I was horse crazy. My best friend, Jody, lived in my neighborhood and we collected every different breed of plastic toy horse we could get our hands on. (Or that we could convince our parents to buy.)

I had galloping horses, standing horses, rearing horses, trotting horses; Palominos, greys, Morgans, Appaloosas, Paints, you name it.

Jody and I enjoyed many imaginary adventures with our steeds. Enraptured, we watched movies like “The Miracle of the White Stallions,” “Justin Morgan had a Horse,” “The Black Stallion,” and “National Velvet.” I must have read all the Beverly Cleary horse books and Walter Farley books. During winter, we didn’t build snowmen, we made snow horses (which are basically snowmen lying down).

The highlight of my year was summer YWCA camp where I could ride a horse, although at a plodding pace. (Spatz, I miss you!)

It didn’t help that my grandfather raised horses (and mules, donkeys, ponies) and had his own Western store. He had a mule named Hubert (after Hubert Humphrey, a Minnesota politician) and a dapple-grey pony named Daisy that he let me ride on my rare visits. My grandfather trained Palominos for show. The back of his store housed saddles, which were propped on rows of sawhorses. The heavenly aroma of leather filled that back room. I climbed up on the saddles, pretending I was riding.

Jody and I begged our parents for a horse, coming up with outlandish plans about how they could be kept in the garage of our city homes, promising we would take care of them and exercise them every day.

When we were in sixth grade, Jody’s parents caved. She got her own horse, a paint named Friskie. She kept it at a stable just outside of town. I spent many Saturdays there, joining her as she exercised Friskie around the indoor arena. I rode a different horse that needed a workout.

Sometimes, Jody would trailer her horse, once even bringing it to my back yard (see photo below). Her family had a cabin outside of town and I also I recall riding Friskie bareback on the gravel roads around Island Lake.

Having a girlfriend with a horse wasn’t quite as good as having my own horse, but it must have helped assuage my passion somewhat. I’m sure my parents breathed a sigh of relief. My horse love didn’t totally go away, though. At the end of junior high, I attended a horse camp in central Minnesota with another girlfriend. It was the kind of place where you were assigned your own horse for the week and were responsible for its care. We learned how to brush a horse properly, feed it, etc. We were assigned to different groups based on our riding proficiency. I was proud to be in one of the upper levels. The week culminated with a trail ride and campfire, where we had the thrill of galloping the horses.

These memories resurfaced because a magazine story I wrote (and photographed) about horses was published recently. Not just any ol’ horse, however. Quietly, over the centuries, the Ojibwe people developed their own breed, now known as the Lac La Croix Horse (or Lac La Croix Indian Pony). Once roaming in the thousands over northern Minnesota and Ontario, Canada, these horses were semi-feral and community owned. Tribal members only brought them into enclosures during the winter to ensure their safety and health.

In the late 1970s, the horses almost went extinct for a number of reasons, including systematic efforts by European settlers to destroy them, and the rise of motorized technology.

In my story for Lake Superior Magazine (“The Horses Nobody Knows”), I describe how the breed was saved from the brink of nonexistence and what they mean to the Ojibwe today. It’s the longest article I’ve ever written. I had to wait a year for it to get published, which was extremely hard, because, you know, horse mania.

Learning about an unknown part of my home state’s past was exciting. I thought I knew every breed. As it turns out, there was a unique breed almost in my back yard, so to speak, that needed help.

I was more than happy to resurrect my horse crazies and put my writing talents to use to help raise awareness about the Ojibwe horses’ plight. If you’d like to donate to Grey Raven Ranch to help these special horses, they have that option on their website.

Anyone got a ranch they want to sell me?

“Plover Landing” Featured in Culture x Climate Exhibit

Getting my novel and an excerpt ready for the exhibit.

This week in downtown Duluth, an exhibit is being installed in the Zeitgeist Arts Café lobby windows. The effort is spearheaded by Tone Lanzillo and Phil Fitzpatrick to highlight how the creative arts can help people gain a deeper understanding and appreciation for the various impacts that climate change has on our lives. It’s part of a global campaign, “Culture x Climate 2020” organized by the Climate Heritage Network in France.

Although my novel “Plover Landing” may look like it’s all about shorebird restoration, it’s about climate change in equal measure. Besides being cute as a button, the character of young Demitri has mysterious powers related to climate. Much of the story revolves around Demetri and his friends figuring out his role in the world.

When Phil approached me about submitting poems for the Culture x Climate project, I had to decline, saying I had none, but that I did have a whole novel about climate change. He encouraged me to submit an excerpt and to provide a copy of the book for the display.

Tone and Phil are putting the finishing touches on the exhibit today and it will be up all week, possibly longer. Other activities are happening, too. Zenith Bookstore and the Duluth Public Library will present books on climate change for adults and children on social media. KUMD Radio and PACT-TV will be interviewing artists and poets who are participating in this project. The Duluth/365 climate initiative, as well as other climate and environmental groups, will be posting information about various poets, artists, musicians and photographers on social media. There is a Facebook event and discussion about the creative arts community and climate change on Nov. 17. And there will be a new blog providing information on the creative arts and climate change.

As Tone said in his Duluth Reader article, “This project will hopefully illustrate how important the creative arts are to the quality of life in Duluth. And just as significantly, show how the creative arts can be used as a very valuable and meaningful tool to engage, educate and empower our citizens to address climate change.”

I am happy to be part of this. I hope you get the chance to check it out!

Biking Along the Giant’s Ridge

Russ biking across the 3/4-mile floating bridge on the Mesabi Trail.

The Mesabi Bike Trail website offers a rather hokey legend about how this part of northern Minnesota came to be named “Mesabi.” Basically, it describes how native peoples thought of the glacier(s) that covered the far north during the Ice Age. The story says the area was “guarded by this great white giant, so large that he could not be seen over. He could not be walked around.” The early people named him Mesabi, which means “a great and stout giant man.”

When the weather warmed and the giant grew weak, he retreated, uncovering a land of abundant forests, lakes, and farmland. The Mesabi Bike Trail traverses 135 miles (of a planned 155 miles) through this terrain.

Russ and I had the opportunity to bike several sections of the trail this summer. Thanks to unseasonably warm weather on a weekend earlier this month, we had the chance to pull on our biking shorts and explore more. We took the Giant’s Ridge Spur, which we reached from the parking lot of the Giant’s Ridge Recreation Area near Biwabik, Minnesota.

Our goal was to make it across an extensive floating bridge that crosses a bog near the end of the spur, a 16-mile round trip. This goal was no big deal to Russ, a retiree who routinely bikes 50 miles at a pop, but for me, a person whose life is still ruled by working for a living, it would be the longest trip of the season.

I’ll cut to the chase: we made it! The trail runs through remote country, passing regrown timber lands and beaver ponds, and crossing cabin driveways. A relatively new section climbs up a rather large ridge – high enough that it sports cell phone towers on top. The trail on other side of the ridge features at least a half-mile downhill stretch that you can just blast down. The metal floating bridge is at the bottom; it runs ¾ of a mile through a wetlands in the Darwin Myers State Wildlife Management Area (WMA). The trail turns to gravel at the end of the bridge for a short stretch through the rest of the WMA.

Of course, going downhill means you have to go uphill on the way back. I needed to walk my bike a couple of times, but the fun I had during the downhill runs on the way out were totally worth it.

Soon after our bike trip, Old Man Winter returned with snow, so we put our bike shorts away for the season. Unlike those who lived during the Ice Age, at least we can look forward to taking them out again on the other side of winter.

Seeing snow on the runs at Giant’s Ridge while we were biking in shorts was strange.